Slava Ostapand his duct tape artwork

A short explanation of the works (Explication)

TAPE ART (Art made of adhesive tape)

2010 Inspired by the minimalist works of his friend Stefan Müller, an object emerges from two stretcher bars connected like chain stretcher frames.

Two frames chain- Homage to Stefan Müller's art

Untitled. 2010. Two frames chain

In 2011 he starts working with colored duct tape according to the motto: “adhesive tape instead of paint.”

Wooden paint mixing palette of a tape artist, 2012

Untitled, 2012. 30×40, GAFFA tape, cutter knife, wooden color mixing palette

In 2012 he creates his first parametric adhesive tape constructs with light and shadow effects.

In 2013 Ostap discovers the use of the stencil principle to produce “stained glass window” art from packaging tape on glass or lightboxes.

 FAQlove (Diptych), 2013, Packing tape, hinged window lightbox, 55x70 and 50x70

FAQlove (Diptych), 2013, Packing tape, hinged window lightbox, 55×70 and 50×70 cm

He continues his spatial experiments with adhesive tape.

2015. When experimenting with adhesive tape and the working principle of a monochrome screen, he opens up new optical effects.


Ostap prefers the stencil technique because, as an ancestor of printing, it is one of the oldest methods of image transmission and reflects the international language of pop culture. In an urban environment, this fast and reusable method of image transmission resembles a magical, ritual action.

Cheburashka vs. rat series, 2013-2018, Stencil, Spray paint

Loving art (Series), 2013-2018, Stencil, Spray paint

Loving street art, Cheburashka vs. rat series, 2018, Stencil, Spray paint

Loving Street Art (Series), 2018, Stencil, Spray paint

Like many of his artist colleagues, he plays with the cult symbols and characters of pop cultures: East-West; Male-Female; Cucumber-Banana (Andy Warhol); Cheburashka — Mickey Mouse, Rat…

Ostap’s artistic strategy is to archive his stencil graffiti by creating unique prints on canvas.

Ostap takes up the themes of the modern media landscape through his rather simple but concise motifs: Politics, religion, love, globalization, sexual and urban culture, and employs them with cynical humor, directly and provocatively. The artist also makes sure that his works are somewhat ambiguous in meaning. Often Ostap’s figurative art evokes feelings in the viewer, both positive and amusing, stimulating, agreeing, and on the contrary, rejecting the artist’s personal, subjective views on life. Is he a cynic, romantic, or critic? Ostap leaves this decision to the viewer.

Jesus Visa Card- Stencil graffiti by Ostap at Berlin Kastanienallee, 2013

Indulgence, 2013, Stencil, Spray paint

5 Playing cards queen of hearts- Angela Merkel, Stencil street art by Ostap, 2017

Bundes Holdem, September 2017 (German chancellor election), Stencil, Spray paint

Ostap often combines different techniques and works with unconventional materials. He always tries to create something new, like for example his works with optical effects, which were created by using raster-nets or fluorescent and UV inks.

Through the use of dotted nets as stencils and his examination of the perception of the dot pattern with the eye, a series of optical illusions are created on the canvas.

Imagination, The Jesus Portrait, 2013, stencil, spray paint, canvas 140x70 cm

Imagination, 2013, stencil, spray paint, canvas 140×70 cm

Optical stencil spray art, 60x90 cm, 2018

Art is…, 2018, stencil, spray paint, 60×90 cm

In regards to art history, Ostap is interested in artists such as Van Gogh, Klimt, Warhol, and Banksy: these artists have become myths whose names began to work independently and set a new way for future art. His artistic method is the upcycling of modern and classical representations and interpretations.

The collaborations of Van Gogh and Ostap, duct tape, 2014-2015